The Rich Diversity of Meanings of the Pardoners Tale Essay -- Pardone

The Rich Diversity of Meanings of the pardoners Tale Chaucers innovation in the Pardoners performance tests our concept of outstanding irony by suggesting information regarding the Pardoners sexuality, gender identity, and spirituality, study categories in the politics of identity, without confirming that information. Our presumed understanding of the Pardoner as a character lacks substantiation. As we learn just about the Pardoner through the bank clerks eyes and ears, we look to fit the noble ecclesiaste (l. 708) into the figure regulate by our own prejudices and perceptions, as any active reader must do. But the Pardoner, ever aware of his audience, does not offer clear clues to his personality. This wear off between what the other characters say about the Pardoner and what the Pardoner says about himself has been a major source of tension for all readers of the Tales and especially critics who bet for substantiation of their views beyond the Chaucers own language. The ge neral tone of the Canterbury Tales is comic. after all, the pilgrims are traveling to the shrine St. Thomas Beckett in a man act of holy reverence, but the Tales take a darker turn when the Pardoner is brought to the foreground. The whole Canterbury Tales is a collected set of performances, stories told about telling stories. As Joseph Ganim has written, theatricality, by which he means a governing sense of performance, an interplay among the occasions voice, his fictional characters, and his immediate audience, is a paradigm for the Chaucerian poetic (5). This write up shall endeavor to show that the major effect of the Pardoners comportment in the Tales is to focus the readers attention to questions of performance and performativity, literary perception, ... ...University of California Press, 1988. Lochrie, Karma McCracken, Peggy Schultz, James A. Editors. Constructing Medieval Sexuality. Minneapolis, MN University of Minnesota Press, 1997. McAlpine, Monica E. The Pardoners H omosexuality and How It Matters. Geoffrey Chaucers The General Prologue to the Canterbury Tales. Ed. by Harold Bloom. brand-new York Chelsea House Publishers, 1988. pp. 103-124. Nevo, Ruth. Chaucer former and Mask in the General Prologue. Geoffrey Chaucers The General Prologue to the Canterbury Tales. Ed. by Harold Bloom. New York Chelsea House Publishers, 1988. pp. 9-20. Ross, Thomas W. Chaucers Bawdy. New York E. P. Dutton & Co., Inc., 1972. Sedgewick, G. G. The Progress of Chaucers Pardoner, 1880-1940. Chaucer ultramodern Essays in Criticism. Ed. by Edward Wagnknecht. New York Oxford University Press, 1959. pp. 126-158.